Showing posts with label Music Production. Show all posts
Showing posts with label Music Production. Show all posts

Friday, 11 May 2018

History of Recording Devices


History of Recording Devises 


1877 - The Acoustic Era

The Phonograph 


Thomas Edison was the first to produce a working model and apply for a patent, 
however he is also credited for inventing the Phonograph in 1877 whilst others claimed to
have invented it even earlier. The original Phonograph involved a "rotating cylinder covered in tin foil". The recording was created by using a horn or voice cone alike to a megaphone attached to a stylus or "needle". In order to play back the recording, the stylus was then placed on the grooves that had been created as the cylinder rotated. Those vibrations were mechanically rotated by the horn (megaphone look-alike).






 In 1887 Emile Berliner patented the Gramophone. The Gramophone used a flat disc rather than a cylinder, this is what began the first format war for these devices. Berliner called this audio disc a gramophone record, but in the US it was called a phonograph record.
By 1890s, the phonograph and few other similar devices fought for the dominance on the North American market, but the innovation made by Emile Berliner ensured that his Gramophones became winners.

^^An acoustic recording session ^^

 The first magnetic sound device was made in 1898 by Valdemar Poulsen, magnetic tapes themselves first came into use.
Although extensive work on magnetic recorders began in the early 1990's, starting first with wire recorders.
In 1925, the acoustic era came to an end and the electric era began.
These used a thin steel wire, that would magnetize as it passed over the recording head.
Those recording devices had rather poor quality, were bulky and hard to take around
which were eventually replaced by magnetic tapes, however only a while later, during the 1940's did magnetic tapes surpass the sound quality of the disc recorders.
Starting in the 1950s Polyvinyl Chloride became common. Nowadays these records have been more commonly named Vinyl Records or just Vinyl.


Tape

Onwards and upwards, from the 1950's magnetic tape became the popular norm 
when recording for the radio and music industries. This lead to the first hi-fi stereo recordings for the market, and after the development of Multi-Track Tape Recording,  thus, the demise of disc music.



The first tape recorder, was not released to the public
but was developed for testing purposes.

Multitrack Tape Recorder to the left.
Finally from this recording development, the four track tape machines
allowed the engineer to record multiple things on the various track.
For example; vocals on one track, guitar on the other, and so on.
However, as time went on and recordings advanced, the 'hiss' from the tape became more and more noticeable, they did find ways to make this less noticeable, but eventually it would be overcome.

The Digital Era (Here we are)

During the 1980's, digital recording possibilities were introduced, but the real advances in digital recording took flight during the early 1990's, this was around the time when computer hard drives and CPU's increased in speed and power, soon replacing analog tape.
Digital methods completely eliminate the hiss problem that came with analog tape. Nowadays most, if not all studios hold and use digital equipment, some still even have older analog tape and multitrack tape recorders for specific purposes.









Friday, 27 April 2018

Production Analysis 1970's - Now

       

1970's

Fleetwood Mac 'The Chain' 



The Chain by Fleetwood Mac was released in 1977 from the album Rumours. 
  • Drums (lots of kick)
  • Electric Guitars
  • Lead Vocals
  • Harmony Vocals
  • (Fretless) Bass
  • Tambourine

drums ( a lot of kick), electric guitars, lead vocals and harmony vocals (fretless) bass guitar, tambourine, 

Listening to The Chain, the instruments sound quite rounded, a kick drums sets the tempo with the high, consistent clean pluck of a guitar before the the vocal harmonies start up. 

The vocals themselves sound like they could have been layered to give a more of an ‘echo’ effect to the already distorted vocals. The song is actually formed of multiple takes that have been meshed together, creating an emotional, punchy vibe.

The overall feeling that the song portrays to the listener is rather nostalgic to me, the song was written by Stevie Nicks as his relationship with Lindsey Buckingham was falling apart. It feels somewhat reminiscent of what has been and could’ve been, but ultimately ‘The Chain’ is breaking before them.




1990's - 2000's

Gangsta's Paradise 



Gangsta's Paradise was released in 1995 
by Coolio for the album Dangerous Minds.
Although this song is actually the reworking of Stevie Wonder's 1976 song
"Pastime Paradise". 
  • Vocals (rap and singing)
  • Choir
  • Kick (centre) 
  • Cowbell
  • Sampled high hats (panned to the left)
  • Synth strings


The synth strings are one of the most notable parts of the song with a continues hip hop bass line. It’s on a 4/4 beat and a hard kick is played on the first beat of every bar, the kick sounds really centred within this song. 
Along with the rapping, the introduction of the choir adds interesting layers, it adds a church feeling to the song as the main vocals perform social commentary on the then current circumstances.

The lyrics are haunting and thoughtful, after it was released it gained major popularity, clutching the listener between a funky production beat, and gospel wails.

The song gives a feeling of circumstantial distress, and an ongoing battle with an unfair disadvantage. It's no wonder it got so popular, as the sincere flow Coolio has is infectious when used to express a message.



Now

Billie Eilish & Khalid - Lovely 


The vocals sound intense and in your face,
 the distorted hand in hand with a rough overall sound. Billie's haunting, 'whispy' vocals send you sinking in quicksand, until Khalid's full, raw voice brings you back above the surface. Between the two, give beautiful harmonics that send you afloat.
Her husky, soft vocals mix so well with his strong and clear notes. The duo bring an uplifting and falling to the table. 
  • Piano
  • Violins 
  • Vocals
  • Rumbling sounds (synth) 
  • Whistle effect


The song itself is fairly simple sounding, with a light piano melody leading directly into the violins and Billie's vocals. There are echo effects throughout the song, for the chorus, the two artists vocals are layered together, this creates a surrounding sound, the violins sound right sounded whereas the piano sits in the front, and occasionally the back.
Synth and editing the mix send subtle rumbling sounds as the song grows in strength before dropping back down.
Once in the song I heard a whistle effect that gave the song an eerie feeling.







The Evolution of Visual Albums - Research Project

Proposal  The Inspiration I got for the research project came from Beyonce's 2016 Lemonade album, because it caused so much inten...